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spielmannszughttps://stompology.org/wp-content/uploads/2024/03/second-line-basis-figur-snare-becken-basstrommel-ready.pngsecond-line-basis-figur-snare-becken-basstrommel-readyhttps://stompology.org/wp-content/uploads/2024/03/second-line-basis-snare-becken-basstrommel-ready.pngsecond-line-basis-snare-becken-basstrommel-readyhttps://stompology.org/wp-content/uploads/2024/03/stick-haltung-rollen.jpgstick-haltung-rollenhttps://stompology.org/wp-content/uploads/2024/03/quellen-der-inspiration.pngquellen-der-inspirationhttps://stompology.org/wp-content/uploads/2024/03/bild_2024-03-06_184208946.pngbild_2024-03-06_1842089462024-05-15T09:53:12+00:00monthlyhttps://stompology.org/2024/05/07/mehrstimmig-singen-und-aufnehmen-fur-beginner/https://stompology.org/wp-content/uploads/2024/05/akkord-mehrstimmig-1.jpgakkord-mehrstimmig-1https://stompology.org/wp-content/uploads/2024/05/stuetztoene-aufnahme.jpgstuetztoene-aufnahmehttps://stompology.org/wp-content/uploads/2024/05/bildschirmfoto-2024-05-06-um-16.58.08.pngbildschirmfoto-2024-05-06-um-16.58.08https://stompology.org/wp-content/uploads/2024/05/akkord-mehrstimmig.jpgakkord-mehrstimmighttps://stompology.org/wp-content/uploads/2024/05/ein-mikro-4-saenger.jpgein-mikro-4-saengerhttps://stompology.org/wp-content/uploads/2024/05/teaser-mehrstimmig.jpgTeaser-Mehrstimmig2024-05-07T10:55:44+00:00monthlyhttps://stompology.org/2023/05/13/sun-records-echo/https://stompology.org/wp-content/uploads/2023/05/artikel-aufmacher-sun-records-slap-echo.jpgArtikel-Aufmacher-Sun-Records-Slap-Echo2024-04-26T20:20:10+00:00monthlyhttps://stompology.org/2024/04/07/grundig-spring-reverb-hvs-1/https://stompology.org/wp-content/uploads/2024/04/hvs-1-grundig-2.jpghvs-1-grundig-2https://stompology.org/wp-content/uploads/2024/04/hvs-1-grundig-4-1.pnghvs-1-grundig-4-1https://stompology.org/wp-content/uploads/2024/04/hall-vhs-1-grundig.jpghall-vhs-1-grundighttps://stompology.org/wp-content/uploads/2024/04/titel-musiktruhen.jpgLuckenwalde, Tonmöbelfabrik, PolierenZentralbild Krueger 14.1.1957 "Lohangrin" und "Caruso I" aus Luckenwalde. Als Zubringerbetrieb für den VEB Stern Radio Staßfurt baut die Tonmöbelfabrik Wilhelm Krschlok in Luckenwalde Musiktruhen. Seit einem Jahr läuft bereits die Serie von Typ "Lohangrin". Eine Entwicklung des Betriebes, die Musiktruhe "Caruso I" wird im starken Maße nach Westdeutschland exportiert. Die Inhaber des Betriebes, Herr Krschlok, der mit staatlicher Beteiligung arbeitet, bezeichnete die Materialversorgung, die Zusammenarbeit mit dem Rat des Kreises, den staatlichen Organen und der Notenbank als sehr gut. UBz: "Lohengrin"-Gehäuse in der Poliererei.2024-04-25T10:16:48+00:00monthlyhttps://stompology.org/2024/03/25/kuenstliche-intelligenz-gesang-per-mausklick/https://stompology.org/wp-content/uploads/2024/03/artikel-ai.jpgArtikel-AIhttps://stompology.org/wp-content/uploads/2024/03/igor-omilaev-eggfz5x2lna-unsplash.jpgigor-omilaev-eGGFZ5X2LnA-unsplash2024-03-27T07:40:38+00:00monthlyhttps://stompology.org/2024/03/23/famous-grooves-the-james-brown-beat/https://stompology.org/wp-content/uploads/2024/03/james_brown_live_hamburg_1973_1702730029-1.jpgjames_brown_live_hamburg_1973_1702730029-1https://stompology.org/wp-content/uploads/2024/03/james_brown_live_hamburg_1973_1702730029.jpgjames_brown_live_hamburg_1973_1702730029https://stompology.org/wp-content/uploads/2024/03/james-brown-live-at-the-apollo-1536x1536-1.jpgjames-brown-live-at-the-apollo-1536x1536-1https://stompology.org/wp-content/uploads/2024/03/james_brown_beat_16tel-figur.pngjames_brown_beat_16tel-figur2024-03-24T16:50:35+00:00monthlyhttps://stompology.org/2024/03/04/der-swingende-spielmannszug-teil-2-basis-basstrommel-becken/https://stompology.org/wp-content/uploads/2024/03/becken-bd-pausen-auf-1-und-3.pngbecken-bd-pausen-auf-1-und-3https://stompology.org/wp-content/uploads/2024/03/second-line-basis-basstrommel-becken.pngsecond-line-basis-basstrommel-beckenhttps://stompology.org/wp-content/uploads/2024/03/draht-schlaegel-wirebeater.jpgDraht-Schlaegel-Wirebeaterhttps://stompology.org/wp-content/uploads/2024/03/3-beispiel-fuer-bass-becken-pattern.png3-beispiel-fuer-bass-becken-patternhttps://stompology.org/wp-content/uploads/2024/03/uebung-2-triolischer-fluss-und-synkope.pnguebung-2-triolischer-fluss-und-synkopehttps://stompology.org/wp-content/uploads/2024/03/uebung-1-triolischer-fluss.pnguebung-1-triolischer-flusshttps://stompology.org/wp-content/uploads/2024/03/metronom-24.jpgmetronom-24https://stompology.org/wp-content/uploads/2024/03/wire-beater-brassband-24.jpgwire-beater-brassband-24https://stompology.org/wp-content/uploads/2024/03/img_7315.jpgimg_73152024-03-20T04:38:58+00:00monthlyhttps://stompology.org/2024/02/28/swingender-spielmannszug-teil-eins/https://stompology.org/wp-content/uploads/2024/03/basis-no-brass-band-two-beat-vollstaendig.pngbasis-no-brass-band-two-beat-vollstaendighttps://stompology.org/wp-content/uploads/2024/03/basis-brass-band-two-beat-vollstaendig.pngbasis-brass-band-two-beat-vollstaendighttps://stompology.org/wp-content/uploads/2024/03/grafik-bassdrum-synkope-im-triolischen-fluss.pnggrafik-bassdrum-synkope-im-triolischen-flusshttps://stompology.org/wp-content/uploads/2024/03/grafik-bassdrum-synkope.pnggrafik-bassdrum-synkopehttps://stompology.org/wp-content/uploads/2024/03/sechs-achtel-ausgespielte-triolen-3.pngsechs-achtel-ausgespielte-triolen-3https://stompology.org/wp-content/uploads/2024/03/sechs-achtel-ausgespielte-triolen-2.pngsechs-achtel-ausgespielte-triolen-2https://stompology.org/wp-content/uploads/2024/03/sechs-achtel-ausgespielte-triolen-1.pngsechs-achtel-ausgespielte-triolen-1https://stompology.org/wp-content/uploads/2024/03/sechs-achtel-second-line-notation-triolen-groove-1.pngsechs-achtel-second-line-notation-triolen-groove-1https://stompology.org/wp-content/uploads/2024/03/sechs-achtel-second-line-notation-triolen-groove.pngsechs-achtel-second-line-notation-triolen-groovehttps://stompology.org/wp-content/uploads/2024/03/sechs-achtel-fluss-mit-pausen.jpgsechs-achtel-fluss-mit-pausen2024-03-18T05:56:00+00:00monthlyhttps://stompology.org/2020/08/07/bausteine-eines-grooves-phrasierung/https://stompology.org/wp-content/uploads/2020/08/besen-sticks-klang.jpgbesen-Sticks-Klanghttps://stompology.org/wp-content/uploads/2020/08/klang.jpgKlang2024-03-14T11:14:56+00:00monthlyhttps://stompology.org/2020/08/08/bausteine-eines-grooves-spielgefuhl-und-spieltechnik/https://stompology.org/wp-content/uploads/2020/08/neu-stickhaltung-links.pngNeu-Stickhaltung-linksDer Traditionel Grip ist nicht schwerer zu erlernen als der Matched Grip. Schwer ist aber das Umlernen, wenn über Jahre mit dem Matched Grip gespielt wurde. Seinen Ursprung hat die „alte Haltung“ in der Militärmusik, bei der diese Haltung durch die schräge und seitliche Position der Trommel am Körper erzwungen war. Der Traditional Grip fördert die Unabhängigkeit der linken Hand von der rechten und er erleichtert ein sehr leises Spiel, was bei Ghost Notes besonders von Vorteil ist.https://stompology.org/wp-content/uploads/2020/08/neu-stickhaltung-rechts.pngNeu-Stickhaltung-rechtsDie Grundtechniken der Stick-Haltung: Werden die Sticks mit der linken und der rechten Hand so gehalten, wie die Haltung hier für die führende Hand gezeigt ist, spricht man vom Matched Grip. Wird der Stick in der linken Hand (bei Linkshändern wäre es dann die rechte Hand) abweichend von der Rechten so gehalten, wie in der unteren Grafik „linke Hand“ gezeigt, wird das als Traditional Grip bezeichnet.https://stompology.org/wp-content/uploads/2020/08/beitragbild-technik.jpgBeitragbild-Technik2024-03-14T11:11:30+00:00monthlyhttps://stompology.org/2020/08/04/bausteine-eines-grooves-takt-und-metrum/https://stompology.org/wp-content/uploads/2020/08/besen-e1596529270634.jpgBesen2024-03-14T10:59:38+00:00monthlyhttps://stompology.org/2020/08/05/unterteilungen-und-mikrotiming/https://stompology.org/wp-content/uploads/2024/02/grafik-ternaere-teilung.pnggrafik-ternaere-teilunghttps://stompology.org/wp-content/uploads/2020/08/bearbeitung-bezeichnungen-der-schacc88ge-eines-grooves-kopie.pngBearbeitung-Bezeichnungen-der-Schäge-eines-Grooves 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es keine Probleme bei der Stereosignal-Zuführung aus dem Interface auf den Mono-Eingang des TK 30 gibt, sind in dem DIN Anschlauss-Stecker für das TK 30 zwei Widerstände verbaut. Der Stecker wurde von retrokabel.de für ein kleines Behringer Mischpult zur Verbindung mit einem Uher Report Mono angefertigt und funktioniert dort ebenso guthttps://stompology.org/wp-content/uploads/2022/01/inter-4.jpgInter-4Am TK 30 ist der Mikro-Eingang zu aktivieren. Jetzt noch am TK 30 den Pegel aussteueren und los kann es gehenhttps://stompology.org/wp-content/uploads/2022/01/inter-3.jpgInter-3L und R vom Interface herkommend werden mittels Y-Kabel in einem 3-poligen DIN Stecker zusammengeführt und mit dem Mikro-Eingang am TK 30 verbundenhttps://stompology.org/wp-content/uploads/2022/01/inter-2.jpgInter-2Benötigt wird ein Adapter vom Klinken-Ausgang "Main Out" am Interface zum Mikro-Eingang am TK 30. Da in diesem Beispiel zwei Mikros verwendet werden, können Main Out L und R genutzt werden. 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